Yamaha UR12MK3 Audio Interface - Black
Yamaha UR12MK3 Audio Interface - Black
Couldn't load pickup availability
Yamaha UR12MK3 Audio Interface - Black
Yamaha UR12MK3 Audio Interface - Black is a compact, professional USB‑C audio interface designed for musicians, podcasters, livestreamers, and content creators who need high‑quality recording and playback in a portable format. With 24‑bit/192 kHz audio resolution, this interface captures detailed, transparent sound for vocals, instruments, and multi‑track productions. The high‑quality D‑PRE mic preamp and +48 V phantom power support condenser microphones, while the Hi‑Z input allows direct connection of electric guitars and basses, making it versatile for home studios and mobile recording setups.
The Yamaha UR12MK3 includes balanced line outputs and a dedicated headphone output for accurate monitoring, plus a loopback function that simplifies livestreaming by mixing microphone audio with system sound. Bundled software such as Cubase AI, Cubasis LE, and Steinberg Plus provides essential tools for recording, editing, and producing right away. Its rugged metal housing and USB‑C bus‑powered design ensure easy setup with laptops, tablets, and compatible devices across Mac, Windows, and iPad platforms.
Key Features:
- USB‑C audio interface with 24‑bit/192 kHz resolution for detailed audio capture
- High‑quality D‑PRE mic preamp with +48 V phantom power for condenser mics
- Hi‑Z input for direct guitar or bass recording
- Balanced line outputs and dedicated headphone output for accurate monitoring
- Loopback function for livestreaming and content creation
- Includes Cubase AI, Cubasis LE, and Steinberg Plus software
- Rugged, bus‑powered design ideal for home and mobile studios
- Compatible with Mac, Windows, and iPad workflows
Yamaha UR12MK3 Audio Interface - Black delivers professional‑grade sound quality, flexible input options, and user‑friendly features in a compact, portable design that integrates seamlessly with modern recording, streaming, and production workflows.
